Nike Schröder, Art and Cake, February 16, 2017

Review by Shana Nys Dambrot
Counting the Days, in collaboration with Show+Tell Projects

With Liberty and Justice for Some, Visual Art Source, February 2017

Review by Simone Kussatz

John Bankston Diversions LA, May 21, 2023

Review by Genie Davis

Lisa Solomon, Visual Art Source, April 5, 2019

Review by David S. Rubin

'Japs Keep Moving': Racist signs of the past point us to the present, Los Angeles Times, April 3, 2019

Review by Sharon Mizota

PRESS

Dean Monogenis, What's on Los Angeles, December 19, 2019

Review by Jody Zellen

Carolyn Castaño, Artillery Magazine, December 11, 2019

Pick of the Week by Annabel Osberg

Pick of the Week: Greg Mocilnikar, Short Stories, What's On Los Angeles, July 17, 2018

Review by Jody Zellen

Barry Anderson, Art and Cake, June 7, 2019

Review by Shana Nys Dambrot

Greg Mocilnikar: Short Stories, at Walter Maciel Gallery, What the Butler Saw, an Arts Magazine, July 17, 2018

Review by James Scarborough

Lisa Solomon, Artillery Magazine, January 10, 2023

Review by Genie Davis

Vojislav Radovanović, Diversions LA, January 31, 2023

Review by Genie Davis

Greg Mocilnikar, Walter Maciel Gallery, Aery Magazine, August 7, 2018

Review by Annabel Osberg

Katherine Sherwood, Walter Maciel, Artillery Magazine, May-June 2018

Review by Christopher Michno

Words and Pictures: In "Salon des Refusés" mixed media artist Lezley Saar explores gender and identity through surrealism and symbolism, LA Times, November 6, 2017

Interview by Sonaiya Kelley

ONE WORK: Lezley Saar, "Miss Pearly, The Transcontinental Mind Reader," 2017, Art and Cake, November 6, 2017

Review by Betty Ann Brown

In Katherine Sherwood's nude paintings, disability and race enter the picture, LA Times, April 2, 2018

Review by Sharon Mizota

Lezley Saar, LA Times, February 5, 2020

Review by David Pagel

Lezley Saar, Riot Material, February 12, 2020

Review by Nancy Kay Turner

Lezley Saar, Art and Cake, January 19, 2020

Review by Betty Ann Brown

With Liberty and Justice for Some, San Francisco Chronicle, March 29, 2017

Review by Sam Whiting

Lezley Saar, Diorama Drama, Craft Contemporary, The Brooklyn Rail, December 14, 2022

Review by Annabel Osberg

Carolyn Castaño, Los  Angeles Times, September 21, 2022

Review and interview by Carolina Miranda

With Liberty and Justice for Some, The Woven Press Tale, January 30, 2017

Review by Sandra Tyler

With Liberty and Justice for Some, Art and Cake, February 3, 2017

Review by Genie Davis

With Liberty and Justice for Some, KQED, Arts, February 8, 2017

Review by Sarah Hotchkiss, Video by Kelly Whalen

Rejected People Find a Home in the Otherworldly, Highly Personal Paintings of Lezley Saar, LA Weekly, November 17, 2017

Review by Leah Rosenzweig

Hung Liu, Visual Art Source, February 5, 2022

Review by Jody Zellen

Hung Liu, Art and Cake, January 25, 2022

Review by David S. Rubin

Timothy Paul Myers in collaboration with Andrew Barnes, Los Angeles Times, August 3, 2016

Review by Leah Ollman

With Liberty and Justice for Some, Huffington Post, January 20, 2017

Review by Amy Pleasant

Brendan Lott, Artillery Magazine, January 4, 2022

Review by Genie Davis

Andy Kolar, Pick of the Week,  Artillery Magazine, August 11, 2021

Review by Cole Sweetwood

What to do this weekend in L.A. Critics Pick: Nov 17-23, 2017, LA Times, November 17, 2017

Mention by LA Times Staff Writer

'Understory' is two artists' ode to the American basement, and every surface is covered in felt, LA Times, November 21, 2017

Review by Leah Ollman

What's in a shape? For Andy Kolar, there's so much at play, LA Times, August 12, 2017

Review by Sharon Mizota

Andy Kolar, Artillery Magazine, August 9, 2017

Review by Shana Nys Dambrot

Lezley Saar, Los Angeles Times, May 27, 2017

Review by Sharon Mizota

A Gallery of Refused at CAAM, LA Times, October 27, 2017

Review by Carolina A. Miranda

Nike Schröder, Timothy Paul Myers and Andrew Barnes at Walter Maciel Gallery, Art and Cake, December 4, 2017

Review by Genie Davis

Robb Putnam, Los Angeles Times, January 5, 2018

Preview by Carolina Miranda

Dana Weiser, Art Radar, 21 February 2016

Review by Christina Ayson

Lezley Saar, Hyperallergic, July 1, 2017

Review by Lita Barrie

Lezley Saar, Critic's Pick, ARTFORUM, January 2018

Review by Andy Campbell

Lezley Saar, BLOUIN ARTINFO, January 12, 2018

Review

Lezley Saar, Visual Art Source, January 2018

Review by David S. Rubin

New York Times, January 20, 2017

Review by Jori Finkel

Dana Weiser and Greg Mocilnikar, ArtScene, February 2016

Overview by staff writer

Hung Liu at Walter Maciel Gallery, Art and Cake, October 15, 2018

Review by Genie Davis

Chinese artist, Hung Liu made pastoral paintings into a revolutionary act of personal realism, Los Angeles Times, September 26, 2018

Review by Leah Ollman

Pretty Big Things, Exhibit eplores optimism, beauty amid political climate, Daily Bruin, November 20, 2018

Review by Alissa Evans

Dean Monogenis and Pepa Prieto, Visual Art Source, April 2017

Recommended by Gene Davis

Barry Anderson and Timothy Paul Myers in collaboration with Andrew Barnes, Artillery Magazine, September/October 2016

Review by Jody Zellen

Lezley Saar, Hyperallergic, May 10, 2017

Review by Matt Stromberg

Dean Monogenis, Artillery Magazine, April 5, 2017

Review by Jody Zellen

Lezley Saar, Art and Cake, June 2, 2017

Review by Jody Zellen

The Vivid Color Explorations of Lisa Solomon, 4x6.com, February 3, 2018

Interview by 4x6.com

Studio Visit with Dana Weiser, The Accidental Tourist, Art and Cake, January 25, 2018

Review by Gary Brewer

Katherine Sherwood: The Interior of the Yelling Clinic at Walter Maciel Gallery, Art and Cake, April 6, 2018

Review by Jody Zellen

Editors' Roundtable, Visual Art Source, April 20, 2018

Review by David S. Rubin

Beauty and the Brain, KCRW, Art Talk, April 17, 2018

Review by Edward Goldman

Walter Maciel Gallery - Katherine Sherwood: The Interior of the Yelling Clinic, Fabrik Magazine, April 23, 2018

Review by Megan Abrahams

John Bankston, Art and Cake, June 14, 2018

Review by Shana Nys Dambrot